brave_kreyu (
brave_kreyu) wrote2024-03-19 08:36 pm
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OOM: All Skate Skellig Dream Magic Weirdness?
(OOC: Warning for explicit adult content, mention of noncon/rape, slavery)
Is it a dream? A glimpse of a universe that might have been? A story untold?
Something called Skellig out here, to a road scratched in the earth between the desert and the land irrigated by the river. The sun overhead is like a hammer, the heat murderous. His coat...he can't remember WHAT happened to his coat. In this heat the coat would be as strange as his wings to human eyes in any case.
There are two small mud-brick houses up ahead, then more road, and a mud-brick wall encircling a small village of mud-brick houses.
He needs a drink, desperately.
He hears footsteps coming toward him, the heat haze breaks to reveal a woman. (Except she can't be a woman, no one human has that much Light inside them, that much power.)
"Even one touched by the gods should not be walking about this time of day," her voice is all concern, all worry. She's wearing a white linen kilt around her waist, and nothing at all above it except a necklace of blue clay beads. She's lovely. (And she feels familiar? Why?)
She offers a hand to him, seemingly not concerned in the slightest about his wings.
Is it a dream? A glimpse of a universe that might have been? A story untold?
Something called Skellig out here, to a road scratched in the earth between the desert and the land irrigated by the river. The sun overhead is like a hammer, the heat murderous. His coat...he can't remember WHAT happened to his coat. In this heat the coat would be as strange as his wings to human eyes in any case.
There are two small mud-brick houses up ahead, then more road, and a mud-brick wall encircling a small village of mud-brick houses.
He needs a drink, desperately.
He hears footsteps coming toward him, the heat haze breaks to reveal a woman. (Except she can't be a woman, no one human has that much Light inside them, that much power.)
"Even one touched by the gods should not be walking about this time of day," her voice is all concern, all worry. She's wearing a white linen kilt around her waist, and nothing at all above it except a necklace of blue clay beads. She's lovely. (And she feels familiar? Why?)
She offers a hand to him, seemingly not concerned in the slightest about his wings.
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It is not an attack towards her, but simply protection for himself.
He does not want to hurt her. He knows this. (Why does he know this?)
There is a wild, feral light in his eyes, his feet pressed hard into the floor (where are his boots? when did he become barefoot on this hot sand?) as a grounding point of contact. He steadies his breathing, narrowing his eyes as he studies her, his head tilting this way and that.
something like an owl
"Kreyu."
It is not a question. He is merely speaking her name, tasting it on his tongue and the air that surrounds it. There is much power in a name. There is a rush of air, behind hers. Fire, and the bite of metal. But yet, it feels familiar. Safe. He is safe?
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She extends a wing toward him oh so slowly, so careful. Physical proof that she is not human and a show of vulnerability. Wings are fragile, he could rip, tear, break the bones.
"Is there something you would like me to call you?" Names have power, he might not want to offer his to her.
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"Skellig," he says. Part of him cringes inwardly at the moment the word (his name) leaves his lips, because he knows this is dangerous, there is much she could do with a name.
But for some reason, which he hasn't quite figured out yet, that is not a concern.
He lifts one hand and brushes the ward away from the air, reaches for her wing. It is not simply an illusion, a mirage lingering from the time spent wandering the road in the heat. There are feathers under his fingertips, and a spark runs down his arm, triggering a memory.
"I...do not know how I came to be here." He isn't even sure where 'here' is. Or who she is. Even though she is familiar to him.
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She shivers when he touches her wing and his touch feels familiar. It shouldn't, NO ONE has ever touched her wings.
"I was afraid it would be something like that. I think I may be able to help with your need to blend in, to not stand out." It FELT like a matter of NEED as opposed to want, at least. "Even with your wings hidden, your skin would make you stand out even in a port city near here."
Kreyu offers more beer. She makes her own, as do most of the households around here, so she has plenty.
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Skellig looks down at himself - his skin is pale, and he is dressed in dark pants - a stark contrast to her white linen kilt and well-tanned skin. His need to blend in, to hide remains, but the panic is fading from his mind, confusion replacing it.
"I do not..." he tries to listen for the echo of his own voice within the walls of the small building, but there is nothing that bounces back. "I do not know where here is, much less how I came to be here at all." He shakes his head, and settles for another sip of the beer.
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"I don't know how you came here either, I'm afraid. However you came here, it is not through means I am familiar with."
"If you can hold an image clearly in your mind, an item that came into my possession that might help you blend it." Came into my possession sounds better than 'I took it off the corpse of an asshole who tried to kidnap me', right?
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She mentioned 'touched by the gods' when they met along the road.
His eyes narrow slightly.
Maybe that is why he cannot feel what he knows as familiar.
"...have I died?"
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"I've never heard of that happening with a human soul, but I am not familiar with your kind."
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As if the wings did not make that obvious. Regardless...a wave of concern rushes over him, at the thought that he might have died. He isn't entirely sure why he is concerned - after all, there have been many times he has wished for death.
But something is different now.
Skellig exhales, huffing slightly as he cocks his head, studying her harder. He makes no effort to hide the fact that he is searching her face for answers he cannot find.
"You are familiar."
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"So it's not just me," she says, surprised. "I, you feel familiar to me too, and I have no idea WHY."
She fishes an agate amulet out of a fold in her kilt. "If you hold an image in your mind with this in your hand, it will create an illusion of that image over you so long as you wear the amulet."
"My skin and hair color are fairly typical, so they would do as a template for that part of the illusion." The lack of wings will be the sticking point in the mental image, she's sure.
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People (who?) have asked him before, if he is a shape-shifter. He always shakes his head, tells them no, this is just how I am, I do not know if I got 'stuck' partway through or if this is just how I am if they ask further.
He looks over her body, then over his once again. Then hers, studying it carefully.
"It is not my skill," he admits. "But...they cannot see."
He doesn't even know who 'they' are but he knows that is the truth. They cannot see his true self. He has to hide. With the hand that is not holding the cup, he upturns his palm. He will have to try.
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She places the amulet in hand, still warm from her body heat.
She's hoping this works, or her options for helping him are a lot more limited.
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He closes his fingers around the amulet and then closes his eyes.
(Why can he not hear any echoes in the dark?)
His hair is the closest, and easy enough to darken to the appropriate shade. His skin tone is considerably tougher, and it takes a moment for him to picture himself with a complexion that matches hers. His body shape is acceptable - lean, muscled and does not require effort.
It is the wings that are the hardest. With his coat, they are well-hidden. Simple enough to play the part of the old man, the beggar, shuffling down the road. But bare chested as he is in this space, it is considerably more difficult to picture in his mind.
All he knows is having wings.
The image blinks, static. Wavers. He nearly grasps hold of it, shifting in the chair to lean forward slightly - and his elbow hits the denim of his jeans, and the image grows fuzzy, weaker.
"I nearly had it." He shakes his head, opens his eyes as it blinks from existence. He looks her over again then looks at himself. "Is this...all you took, from the source?"
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She stands, slowly, walks over to a chest and fishes out a length of linen. "I can show you how to wrap this around yourself to make what I am wearing."
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Skellig watches her form as she walks away from him, studying her body movements as she moves to the chest. His eyes drift over her dark hair, her skin, her wings (they are not like his, they are like an eagle, predator, hunter) as she bends to gather the linen.
She is so very frustratingly familiar and yet...the connection is missing, a hazy gap in his mind.
He's still staring when she walks back to him.
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"I would demonstrate on myself, but that would make what you were looking at backward. I, is it alright if I touch you?"
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"I...yes." Skellig nods, breaking his gaze and his attention from her form to that of his own. He flushes, slightly, with his next words, and the heat in his skin is not from the sunburn he got earlier while under the glaring light in the sky.
"I would undress, if that is acceptable?"
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He's so vulnerable, right now. It would be wrong to even WANT anything from him while he's like this, wouldn't it? Even though she has the strangest certainty that he would make this aching WANT inside of her go away.
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Skellig does divert his gaze to the floor, before he works to shed his jeans free of his body. His habit of going 'commando' on occasion (such as this one, though he is still unsure if this is a dream, reality, or the afterlife) leaves him feeling incredibly vulnerable in this moment, as he strips in front of her.
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She's just, going to keep her eyes on his face. And not ogle him like a creep. If she believed that gods existed, she would swear right now that Skellig had been sent to torment her with what she can not have.
"I know you must feel very vulnerable right now," she says. "It's not RIGHT, that this happened to you. That you wound up here like this." She's clearly outraged on his behalf. "But you can claim the empty house across the way, and I would be glad to teach you anything I can."
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He briefly bows his head in a silent show of gratitude (can't bow here people will see) and then glances up at her, now that she has closed the distance, linen in her hands.
Now she is going to have to touch him.
Right.
Skellig soundlessly works his throat, then nods a little quicker.
"The shifting -- that will be more readily accomplished, once I am clothed." That's where they were. Getting him redressed.
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"I hope so, yes." "I want you to be safe, to be comfortable."
She wraps the linen around him, once, nothing kilt like yet. "It would be easier for me to walk your hands through it if I were behind you, I think. Is that okay?"
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Plus, if she is behind him, he will not have to meet her gaze, or lay eyes on her body - so close to him. He nods, placing his hands at the edge of the linen at his waist, holding it as she moves.
His wings shift carefully as she settles in behind him, trying to get them out of the way as best as possible, but it is inevitable that her fingers brush his feathers.
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She walks his hands through the steps, slow and careful. "And then tuck that there and it should stay put."
She lets go of his hands, comes back around. She's smiling at him, still.
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Keeping his gaze on her face, he nods.
"Thank you."
A strand of her hair falls into her face; automatically, he moves a hand to reach for her hair to brush it back, tuck it behind one ear (it is a motion that his muscle memory feels as if he has done dozens of times before, which he does not understand) but he pauses before his fingers actually make contact.
Why is that so familiar?
"Sorry, I--" he shakes his head, confusion painting his features. "My mind feels as if it is playing me for a fool."
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