brave_kreyu (
brave_kreyu) wrote2024-03-19 08:36 pm
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OOM: All Skate Skellig Dream Magic Weirdness?
(OOC: Warning for explicit adult content, mention of noncon/rape, slavery)
Is it a dream? A glimpse of a universe that might have been? A story untold?
Something called Skellig out here, to a road scratched in the earth between the desert and the land irrigated by the river. The sun overhead is like a hammer, the heat murderous. His coat...he can't remember WHAT happened to his coat. In this heat the coat would be as strange as his wings to human eyes in any case.
There are two small mud-brick houses up ahead, then more road, and a mud-brick wall encircling a small village of mud-brick houses.
He needs a drink, desperately.
He hears footsteps coming toward him, the heat haze breaks to reveal a woman. (Except she can't be a woman, no one human has that much Light inside them, that much power.)
"Even one touched by the gods should not be walking about this time of day," her voice is all concern, all worry. She's wearing a white linen kilt around her waist, and nothing at all above it except a necklace of blue clay beads. She's lovely. (And she feels familiar? Why?)
She offers a hand to him, seemingly not concerned in the slightest about his wings.
Is it a dream? A glimpse of a universe that might have been? A story untold?
Something called Skellig out here, to a road scratched in the earth between the desert and the land irrigated by the river. The sun overhead is like a hammer, the heat murderous. His coat...he can't remember WHAT happened to his coat. In this heat the coat would be as strange as his wings to human eyes in any case.
There are two small mud-brick houses up ahead, then more road, and a mud-brick wall encircling a small village of mud-brick houses.
He needs a drink, desperately.
He hears footsteps coming toward him, the heat haze breaks to reveal a woman. (Except she can't be a woman, no one human has that much Light inside them, that much power.)
"Even one touched by the gods should not be walking about this time of day," her voice is all concern, all worry. She's wearing a white linen kilt around her waist, and nothing at all above it except a necklace of blue clay beads. She's lovely. (And she feels familiar? Why?)
She offers a hand to him, seemingly not concerned in the slightest about his wings.
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She was born from earth, air, fire, and water, and her blood is on the earth now as she moves toward him. She's steady, bright, a sun pulling him into her orbit. Both of her hands are covered in her own blood when she grabs his dominant hand in hers. (That hand will never hurt, never ache or be stiff again after this bloody baptism. There is POWER in a dragon's blood.) "Skellig, it's okay. I'm right here."
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Skellig isn't sure if he actually speaks the words (he does) or if he is merely imagining it, part of whatever bizarre fever dream or hallucination he's participating in. He grips her hand tightly, tired muscles suddenly feeling strong, his worn bones in his fingertips losing the end-constant ache and pain that plague him. He notices, but that's not where his focus is.
She is pulling him back into the here, the now. Wherever this here and now even is.
The sun is still blazing overhead, and he is just so tired, and her blood scent is overwhelming him since she is right here.
"My dragon." He shakes his head hard, blinking spots from his vision, looks at her with eyes that are still wild, but there is a different sense of understanding there which he lacked before. Then his attention falls to her shoulder, her arm, her blood still oozing from her flesh. He nods. Get me up. He's moving without speaking, trying to stand.
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She shoves those questions aside, helps him stand. The arrow shifts painfully in her shoulder, but she ignores it for now. As he rises, she grabs his other hand, takes THAT one in both of hers. She leads him gently back to her house. That hand too, is mending, as they walk.
Hopefully, the karma will help, or at least not make things any worse.
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Since nothing is readily available, he turns her towards him, placing his hands on her gashed arm, fingers curling over the wound.
"This will hurt," he warns.
It is more a courtesy than anything, since he is already fairly tapped out energy-wise. If he had more in his reserves he would go easier, slower, use greater finesse. But he does not, and she is bleeding all over his hands, and he knows it needs to stop. He throws what he has into her arm, his focus on the damaged tissues, the veins that have been torn by the sharp metal, knitting the fibers back together with what strength he can muster. Tendons rejoin, her fingers regaining full function, and then more muscle, more skin.
Once he is done, he sways on his feet, gripping tightly to her arm to maintain his balance.
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Her smile is wry. "So long as the arrow is in place, it won't bleed much if I'm careful, a fairly effective plug."
She moves both of them slowly to a chest, fishes out scraps of fabric, something that smells medicinally sharp, and a small bronze blade about the size of a pocketknife. "Good thing I drew some water from the well earlier, wouldn't want to try it now."
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"Your shoulder will be...more difficult." Skellig nods lightly, looking at her shoulder, at the arrow, before he cocks his head and studies her slightly, and what she has gathered in the meantime.
(When did she gather these things? He can hardly remember.)
A shiver runs hard down his spine and continues to cause his hands upper arms, forearms, hands to tremble as his adrenaline surge starts to work down his body.
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"We should sit for a bit," she says. She does have two chairs for them to sit at, thankfully. She uses the water on the table to clean the blood off of her hands, offers him clean rags and a bowl of water to do the same to his own.
"Can you feel the Karma here, pull it into you where you're empty?" It's thick here, waiting for him to taste, to take.
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After a few moments, he nods.
"I...I think I can. It is not entirely the same, but all the while..."
It is painstakingly, frustratingly familiar.
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"I'm, I'm not sure how you figured out I'm a dragon," she tells him. "Does that, are you afraid of me, now?"
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He extends his hand.
"I heard an echo, with the words - my dragon - it is if I had said them before, though that is not the case. But it drew my focus, sharper."
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Those words, 'my dragon', make her heart speed up, make her WANT. "When you kissed me, I, nothing has ever felt that good before."
An understanding that she has no words for echoes through her from elsewhere, makes her breath catch as if in pain. An understanding of the dangers power and position can bring to relationships between people. An understanding that coercion can wear a thousand faces more subtle than a naked threat. "You are..vulnerable, right now. I could not bear it, if you thought you needed to, to sate my appetites," she flushes as red as her complexion will allow. "to protect yourself, or as a kind of repayment."
She looks down, afraid of what she might see in his eyes. "I would not want anything of you that you would not offer me gladly if our positions were reversed, Skellig."
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His words still aren't fully in order, but the meaning is something he is still striving for, as he recovers from their fight in this space.
"I am vulnerable," he admits. "But I am not afraid. And I while...I am not entirely certain of just how I have gotten here...I am here." He glances up at her, his hair falling into his face slightly, trying to lean to catch her gaze. "Your kiss brings a great comfort to my soul...it is as if it realigns my system, with where it should already be."
The scent of blood still fills his nostrils, and he knows they will need to deal with that shoulder. But that can wait a moment.
"I am not afraid."
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"Oh," a breathless sound, but full of wonder, of joy, of a years long ache finally starting to fade.
She laughs, soft, joy bubbling over. "I would like to kiss you, Skellig." She leans in toward him.
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"I would welcome that, Kreyu."
Recalling her earlier hesitation, his own also creeps up a bit as he allows her to initiate the kiss. Clearly, she is nervous, and despite the familiar surge of Light that builds in his system as she leans in towards him, it is also...new, and uncharted.
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She's gentle, careful, as she kisses him. A chaste brush of lips against his own. The nerves retreat a little as he doesn't pull away, doesn't indicate that he wants her to stop. The contact, the Light, send shivers up and down her spine.
She's breathing more heavily when she pulls away, feels the ache in her shoulder. "Will have to cut the damn thing out," she tells him.
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And it isn't like he's going to let her cut it out of her own body. He studies the wound, the arrow lodged firmly into her flesh, the blood having dripped down her chest and dried on her skin.
He shifts in his chair to move closer to her.
"You have a blade...do you wish for anything for pain that I could fetch? Or I can try my best to...dampen it."
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She smiles ruefully. "I will try not to faint on you like a damsel in distress."
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"I will try to be...efficient."
He lifts the blade from the table, and tests the way it handles in his fingertips - somewhat surprised at how easily he is able to control it, with a lack of discomfort in his grip. Moving closer, he places one hand on her chest, palm flat above her breast, beneath the arrow. With the other, he brings the blade to rest a breath above her skin, then looks at her.
A silent ask for permission to start the cut, to draw her blood.
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She smiles. "If I'm going to bleed anyway, I'd rather you get something useful out of it."
"Go ahead."
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"Do not hesitate to speak if it is too much to bear."
Attempting to minimize jostling the arrow itself, he carefully (and precisely) presses the blade into her skin, working to expand the entry wound enough to allow for the head to be fully exposed to aid in removal.
Ancient weaponry is...rough.
So is the wave of power that smacks him (his reaction is minimal, but not invisible) as her blood spills onto his hands.
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His wrists might be in better shape, by the time he cuts the damn arrow out. Maybe more than that, depending.
Kreyu doesn't scream, but her grasp on the chair is tight enough that the wood creaks.
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With what he believes is a sufficient cut, he places the knife carefully on the table - then rubs her blood from his hands onto his wrists and forearms quickly, just enough to satisfy her request of him not to let her blood go to waste - then grips the shaft of the arrow.
It is mostly free, but he does have to shift it slightly to work it from her muscle.
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She shudders, but the worst of the pain is over. "Thank you, Skellig."
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With his palm still flat against her chest, he reaches and allows his skills to work to heal the damage in her shoulder.
And then he leans in and allows his forehead to fall lightly against hers. This effort, he does for pain relief - and while it is draining, he keeps the contact brief as to not completely exhaust his reserves.
Once the skin has finished knitting itself together, he leans back in the chair and exhales heavily, tired.
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More rags, more water, something herbal and resinous to help take away the smell of blood. And a fresh kilt for both of them, as the ones they have on are stained with blood.
On another trip, she brings more beer, along with some bread and dried dates.
The horrors of the afternoon have been cleaned away, wrapped up to be dealt with at a later date.
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