brave_kreyu (
brave_kreyu) wrote2024-07-27 01:01 pm
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OOM All Skate Skellig Dream Magic Weirdness -Part Nine
Kreyu has gathered plenty of henna and even woad, a blue dye, for some experiments with designs on Skellig's skin.
"The blue would look lovely on you, I think," she remarks. "Your fairer skin would show it off quite well. Though I am far more experienced in applying henna."
She's gathered bits and pieces of designs to look at for inspiration. Celtic style knots, viking style abstract patterns and stylized beasts, the mandala and floral type designs he's admired on her, and more.
"The blue would look lovely on you, I think," she remarks. "Your fairer skin would show it off quite well. Though I am far more experienced in applying henna."
She's gathered bits and pieces of designs to look at for inspiration. Celtic style knots, viking style abstract patterns and stylized beasts, the mandala and floral type designs he's admired on her, and more.
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It eases his mind just a little to know that at least one soul from aboard this ship will be spared (not counting the captives), and will make their upcoming task somewhat less painful.
He considers something else. "Would we take him with us? Or how would that work?" He knows they can fly...
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She tilts her head. "I MIGHT be able to contact someone who could go with him, keep him safe as they make the trip to his home."
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Skellig motions at the ship.
"Would beat us to Mycenae, if we were to make haste." He rubs gently at his temple, sighs. "I'm sorry," he whispers. "I know this complicates things even greater, I just...I could not help it." And he sounds truly sorry, perhaps even a little...guilty?
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"A way will be found, there are many means we might yet use."
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"Would it make sense to have one of us fly ahead to scout the dock? Or shall we just see what it looks like when we arrive?"
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"I think we should wait and see, just in case."
"The thought of one of us being lost because we were not together chills my very bones."
As they get closer, Skellig will see that the dock is mostly intact, though it clearly has had the worst of a few storms! A stone house, empty, sits well back from the dock. The ivy hides its actual state of disrepair, which might be useful for their purposes.
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After their course is confirmed, he returns to Kreyu's side.
"The energy of the Captain is still unsettled," he mutters, voice low. "I do not think he will grow hostile until realization sets in, but we should not...linger with our plan."
(Speaking of which...what exactly is the plan?)
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And as the ship nears the dock and final preparations are made for tying up, Skellig shakes off any lingering nerves and puts back on the 'persona' of 'filthy rich, more than slightly eccentric' as he moves from Kreyu's side.
"If these slaves are to be worked in the fields we intend to sow upon, my wife insists on seeing them move upon solid ground. We will find other uses for those who might be less adept to farm work; we will require attendants in the gardens, perhaps even a few might be suitable for work in the house itself."
From his tone, he's highly suggesting that the Captain not argue with him...
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He barks orders at the young man they are planning on helping to go and fetch the slaves, most convenient!
Kreyu shakes out her feathers, motions for Skellig to join her as the ship ties up to the dock.
It feels good to be standing on solid ground again.
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"They are nervous," Skellig says, folding his arms across his chest and puffing up his feathers, doing his best to look 'fearsome' without coming across as overly threatening (that is not the look he intends for the slaves, though he knows he needs to play the part) at the same time. "Below the decks."
A glance at the crew still on board. "Some of them are also worried, but more about their gold, based on the looks of this dock," he snorts, smirking a little.
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The slaves are plainly TERRIFIED at the sight of Kreyu, but they are herded onto land whether they want to go or not!
Kreyu's heart hurts at their fear, their distress. She's trying to subtly adjust her position to put herself between these poor people and the sailors.
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"My love," he calls back over his shoulder, as he points. "Which of these men would you like to see move about? We will need several strong enough to break the soil, and I would dare say fell some of these trees, work to build our barns?"
He motions for the women and the few children to stand further back, nodding at the young sailor to have them stand off to the side, out of the way of the men. Their time for examination will come. And then he steps closer to the men, flaring his wings slightly. (In reality, he is protecting them, should anything come flying this direction...)
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The sailors are starting to relax a little, less tense. Kreyu eyes the open space, sees a large rock outcropping that will come in handy in a moment.
She scratches a sign on the deck, a calling, sends energy into it. Skellig might feel the shift in energy, but it will be a minute or two before anything is visible to the eye.
The water around the boat starts to take on shapes vaguely like horses with fish tails as the hippocampi start to congregate around the boat.
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"This one here is missing a finger," he points out idly, before making eye contact with the man, who clearly has seen his share of laboring. "It would not effect your ability to work a plow, though. You may speak."
"No, it would not," he man says quickly, with a firm shake of his head. "I am fully able to work."
"Good," Skellig nods, then calls back to Kreyu. "He would be fine. Next, come here..." as he works his way down the line.
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The ship SURGES up into the air, born aloft on a column of water to land near the rock outcrop. The wood groans, the ship leans, and it thunks against the stone, mostly upright.
Kreyu lands again on solid ground, but she conjures a tiny ball of fire in front of her beak. "I believe it is time we renegotiate terms, Captain."
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Even Skellig yells in surprise, as he was not expecting that to happen, wings flaring rapidly as he moves away from the sudden upthrust of seawater and an entire ship before it comes to rest upon the rocks.
His heartbeat is now racing, and the expression on his face has to be briefly priceless, before he works to bring it under control. A few of the sailors who have the forethought to protect the captain draw small knives, but not all of them do so.
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"These people will be free, and all of you will swear to never again engage in such work. Or you can die here, if you would prefer."
The Captain snarls, goes for the sword at his hip. Some of the others make similar moves, but most don't seem terribly keen to fight.
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There are another few sailors that are between Skellig and Kreyu (and the Captain) that are a bit conflicted, as their 'honor' would tell them to draw their swords, fight against these beasts, protect the cargo from thievery!
But at the same time...they do not wish to die here, upon this rocky shoreline.
Skellig flexes his hand (feeling for his talons, hidden as they are yet still ready if needed) and his wings, carefully observing the body language of all of the men. He will strike if needed, step in if she seems to struggle...but he suspects she may be able to handle herself.
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He's trying to make her so angry that she acts without tactics, leaves an opening that he can exploit. It works, in a manner of speaking. The sound that comes out of Kreyu's throat is a roar of monstrous rage and her form BLURS as she lunges forward into an amalgam of her eagle and draconic forms. Scales, feathers, teeth, talons, wings, smoke and gold intermingled as she tries to tear the Captain asunder.
Only two of the other sailors are brave enough to try and attack the creature ripping their Captain apart and they don't seem to be having much of an effect.
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So instead, he launches himself off of his feet and dives at one of the two who have chosen to attempt to attack Kreyu; he hits the first one square in the side of the ribcage (a half-second too late to completely block the strike of his club against Kreyu's shoulder, a glancing blow that causes her to growl in frustration - or perhaps that is just another sound she is making as she works on the Captain) and drives his talons between the ribs, reaching to pierce lungs, arteries, heart, anything he can hit during this tackle as they land on the dirt.
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Skellig's talons dig deep, he could rip the man's heart out if he was inclined to! (Though that would be excessive and spectacularly messy.)
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So rather than ripping out the sailor's heart, he simply severs the organ in two, followed by the spinal cord (no pain is felt, death is instant) as he draws his talons back, eases the man's body to the ground beneath him.
(He does not simply drop him to the dirt.)
With one hand (not the one that was just buried in the chest) he reaches up and closes the sailor's eyes; he is listening to Kreyu with his ears, doesn't need to turn to look at her to see that she is fine.
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"Retrieve your personal belongings from the ship, then get you gone," she tells them. "Make better choices, for we did not HAVE to show you mercy today."
Some sailors do not even bother trying to retrieve their belongings, they simply run down the dirt road toward the village. The rest move hastily toward the ship, keen to get their things and get OUT of here as quickly as possible.
"I didn't give you my name," the young man says into silence. "Xenophon. I am, I am Xenophon."
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(He will let Kreyu introduce herself first, if they are to do so - he isn't completely sure if that is the best idea in this instance or situation.)
"I spoke to my wife of your plight, and that of your sister. We think we may have an idea of sorts, to settle your situation...we would discuss it with you. Do you have things to gather, from the ship? Supplies, for those who were captive?"
(The slaves are all still huddled in a group, terrified of everything that is going on right now. These are the...people...that have paid for them? Stolen them? What is their status, other than to obey those with wings?)
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